The Breakdown: Steve Nash Setting Screens

Phillip Barnett —  December 27, 2012

Since the return of Steve Nash, we’ve seen some immediate improvements to the Lakers’ offense. The ball is moving a lot more, there has been a considerable improvement in off ball movement and things just feel different when he’s on the floor. The Lakers are 2-1 in Nash’s return, and in those games he’s recorded a .773 true shooting percentage and a .714 effective field goal percentage. On top of that he’s averaging 9.3 dimes in those three games. What has stood out to me most in Nash’s return is how varied the Lakers offensive sets have become.

The number of 1-5 pick and rolls between him and Howard have been countless. He’s also run the P&R with Pau a considerable amount of times and with Kobe a few times. We’ve also seen Nash and Kobe run a two man game a few times with Nash on the wing and Kobe in the post. Horns has returned at a higher rate, and they’ve seen a lot of success through these sets — and a lot of that success has nothing to do with Steve Nash handling or passing the ball. Mike D’Antoni has utilized Nash setting screens off the ball to free wings for easy buckets. Let’s take a look at how the Lakers have found success with Nash screening off the ball.


In this first frame, the Lakers have set up in their Horns set. Nash has already dumped the ball into Pau in the pinch and UCLA cuts off of him to go find Kobe. As Nash starts to cut through, Kobe is pushing his man (Jason Kidd) up the sideline allowing Nash to come in right behind him to set a back screen. It’s important that we keep an eye on the spacing here.


As Nash sets the screen, Kobe cuts back door and Pau throws a perfect pass on Kobe’s release. With Kobe pushing Kidd up the line, Raymond Felton doesn’t jump between Nash and the basket hoping to deny a pass to a Kobe who he thinks is going to pop out. Kurt Thomas is the first help defender on the weak side, but given the Howard assignment, he doesn’t want to give him any space to prevent any subsequent lobs. And on the far side, Melo is playing a good eight-to-10 feet off Darius Morris, but either didn’t have the foot speed or the effort to get between Kobe and the basket as the pass came. The result is Kobe being freed for one of the easiest baskets he’s going to see in any given game. Let’s check the play out in real time.


Here we have another horns set with Ron on the floor instead of Morris, otherwise, everything else is the same. Nash brings the ball up the floor and enters to Pau in the pinch. On this set, however, Nash cuts off of Pau’s inside shoulder through the paint to go find Ron’s man (Kidd again).


After Nash sets his screen, Ron heads toward Dwight, who sets a second screen on Kidd. This time around, the spacing is a bit different, but it’s the same concept. Nash stays near the block with Felton fighting to stay between him and the basket. Tyson Chandler is between Dwight and the basket. Instead of trying to keep defenders along the perimeter to clear space for Kobe, the Lakers have gotten all of the defenders on the strong side away from the 3-point line.


The result is a wide open 3-pointer for Ron, which he knocks down. The Lakers actually ran this exact same set for Ron just a couple of possessions earlier and the outcome was the same (Ron wasn’t missing much in the 2nd quarter of the Knicks game). They have also run a similar set for Jodie Meeks which cleared him up for a wide open three-pointer. Check the play in real time.

I find it fascinating that one of the best point guards in the league has been able to get his teammates wide open shots by not passing the ball. We still haven’t seen the full value of Nash’s impact on this Lakers team, but what we do know is that Nash gives this offense a lot more to work with. D’Antoni has been able to run so many different kinds of sets throughout the game just because of the ability of Nash to create when, seemingly, nothing is there. I’m definitely looking forward to seeing what else D’Antoni has in store with Nash running things.

Phillip Barnett